Andrew Lloyd Webber - Prologue

AUCTIONEER
Sold. Your number, sir? Thank you.

665, ladies and gentlemen: a papier-mache
musical box, in the shape of a barrel-organ.
Attached, the figure of a monkey in Persian
robes playing the cymbals. This item,
discovered in the vaults of the theatre, still in
working order.

PORTER (holding it up)
Showing here. (He sets it in motion)

AUCTIONEER
My I start at twenty francs? Fifteen, then?
Fifteen I am bid.

(the bidding continues. RAOUL. eventually
buys the box for thirty francs)

Sold, for thirty francs to the Vicomte de
Chagny. Thank you, sir.

(The box is handed across to RAOUL. He studies it, as
attention focuses on him for a moment)

RAOUL (quietly, half to himself, half to the box)
A collector's piece indeed . . .
every detail exactly as she said . . .

She often spoke of you, my friend ....
Your velvet lining, and your figurine of lead...

Will you still play,
when all the rest of us are dead?

(Attention returns to the AUCTIONEER, as he resumes)

AUCTIONEER
Lot 666, then: a chandelier in pieces. Some of
you may recall the strange affair of the
Phantom of the Opera: a mystery never fully
explained. We are told ladies and gentlemen,
that this is the very chandelier which figures in
the famous disaster. Our workshops have
restored it and fitted up parts of it with wiring
for the new electric light, so that we may get a
hint of what it may look like when re-
assembled. Perhaps we may frighten away the
ghost of so many years ago with a little
illumination, gentlemen?
AUCTIONEER
Sold. Your number, sir? Thank you.

665, ladies and gentlemen: a papier-mache
musical box, in the shape of a barrel-organ.
Attached, the figure of a monkey in Persian
robes playing the cymbals. This item,
discovered in the vaults of the theatre, still in
working order.

PORTER (holding it up)
Showing here. (He sets it in motion)

AUCTIONEER
My I start at twenty francs? Fifteen, then?
Fifteen I am bid.

(the bidding continues. RAOUL. eventually
buys the box for thirty francs)

Sold, for thirty francs to the Vicomte de
Chagny. Thank you, sir.

(The box is handed across to RAOUL. He studies it, as
attention focuses on him for a moment)

RAOUL (quietly, half to himself, half to the box)
A collector's piece indeed . . .
every detail exactly as she said . . .

She often spoke of you, my friend ....
Your velvet lining, and your figurine of lead...

Will you still play,
when all the rest of us are dead?

(Attention returns to the AUCTIONEER, as he resumes)

AUCTIONEER
Lot 666, then: a chandelier in pieces. Some of
you may recall the strange affair of the
Phantom of the Opera: a mystery never fully
explained. We are told ladies and gentlemen,
that this is the very chandelier which figures in
the famous disaster. Our workshops have
restored it and fitted up parts of it with wiring
for the new electric light, so that we may get a
hint of what it may look like when re-
assembled. Perhaps we may frighten away the
ghost of so many years ago with a little
illumination, gentlemen?
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